Biographie d'Emile Zola (document en anglais)

Zola was born in Paris in 1840. His father, François Zola (originally Francesco Zolla), was an Italian engineer. With his French wife Émilie Aurélie Aubert, the family moved to Aix-en-Provence in the southeast, when Émile was three years old. Four years later in 1847, his father died leaving his mother on a meager pension. In 1858 the Zolas moved to Paris, where Émile's childhood friend Paul Cézanne soon joined him. Zola started to write in the romantic style. His widowed mother had planned a law career for Émile but he failed his Baccalauréat examination.

Before his breakthrough as a writer, Zola worked as a clerk in a shipping firm and then in the sales department for a publisher (Hachette). He also wrote literary and art reviews for newspapers. As a political journalist, Zola did not hide his dislike of Napoleon III, who had successfully run for the office of President under the constitution of the French Second Republic, only to misuse this position as a springboard for the coup d'état that made him emperor.

During his early years, Émile Zola wrote several short stories and essays, four plays and three novels. Among his early books was Contes à Ninon, published in 1864. With the publication of his sordid autobiographical novel La Confession de Claude (1865) attracting police attention, Hachette fired him. His novel Les Mystères de Marseille appeared as a serial in 1867.

After his first major novel, Thérèse Raquin (1867), Zola started the series called Les Rougon Macquart, about a family under the Second Empire.

In Paris Zola maintained his friendship with Cézanne who painted a portrait of him with another friend from Aix-en-Provence, writer Paul Alexis, entitled Paul Alexis reading to Zola.

Literary output

More than half of Zola's novels were part of this set of 20 collectively known as Les Rougon-Macquart. Unlike Balzac who in the midst of his literary career resynthesized his work into La Comédie Humaine, Zola from the start at the age of 28 had thought of the complete layout of the series. Set in France's Second Empire, the series traces the "environmental" influences of violence, alcohol and prostitution which became more prevalent during the second wave of the Industrial Revolution. The series examines two branches of a family: the respectable (that is, legitimate) Rougons and the disreputable (illegitimate) Macquarts for five generations.

As he described his plans for the series, "I want to portray, at the outset of a century of liberty and truth, a family that cannot restrain itself in its rush to possess all the good things that progress is making available and is derailed by its own momentum, the fatal convulsions that accompany the birth of a new world."

Although Zola and Cézanne were friends from childhood, they broke in later life over Zola's fictionalized depiction of Cézanne and the Bohemian life of painters in his novel L'Œuvre (The Masterpiece, 1886).

From 1877 with the publication of l'Assommoir, Émile Zola became wealthy; he was better paid than Victor Hugo, for example. He became a figurehead among the literary bourgeoisie and organized cultural dinners with Guy de Maupassant, Joris-Karl Huysmans and other writers at his luxurious villa in Medan near

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